Horror To The Extreme

Autor: Jinhee Choi
Publisher: Hong Kong University Press
ISBN: 9622099734
File Size: 68,39 MB
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This book compares production and consumption of Asian horror cinemas in different national contexts and their multidirectional dialogues with Hollywood and neighboring Asian cultures. Individual essays highlight common themes including technology, digital media, adolescent audience sensibilities, transnational co-productions, pan-Asian marketing techniques, and variations on good vs. evil evident in many Asian horror films. Contributors include Kevin Heffernan, Adam Knee, Chi-Yun Shin, Chika Kinoshita, Robert Cagle, Emilie Yeh Yueh-yu, Neda Ng Hei-tung, Hyun-suk Seo, Kyung Hyun Kim, and Robert Hyland.

Extreme Horror

Autor: Matt Shaw
Publisher: Createspace Independent Publishing Platform
ISBN: 9781523873319
File Size: 33,71 MB
Format: PDF
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They said I could not become a filmmaker. They said my screenplays were dull and clumsy with thin characterisation. My plots were predictable and endings lame. They said my directing was uninspired and ideas translated poorly to screen. They said my acting was laughable; scenes that were supposed to be tragic caused ripples of laughter. They said I would never make it and that - even if I did - no one wants horror anymore. They want fantasy. They want drama. Comedy, even has its place in the market. Not horror. It's stale. It is stagnant and done to death. Well, whatever they say, I am bringing horror back to the mainstream. It will be shown on every television station and shared across millions of social networking profiles. I am bringing horror back whether the audience wants it or not and it's going to be extreme...

Savage Continent

Autor: Keith Lowe
Publisher: St. Martin's Press
ISBN: 1250015049
File Size: 32,11 MB
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The Second World War might have officially ended in May 1945, but in reality it rumbled on for another ten years... The end of the Second World War in Europe is one of the twentieth century's most iconic moments. It is fondly remembered as a time when cheering crowds filled the streets, danced, drank and made love until the small hours. These images of victory and celebration are so strong in our minds that the period of anarchy and civil war that followed has been forgotten. Across Europe, landscapes had been ravaged, entire cities razed and more than thirty million people had been killed in the war. The institutions that we now take for granted - such as the police, the media, transport, local and national government - were either entirely absent or hopelessly compromised. Crime rates were soaring, economies collapsing, and the European population was hovering on the brink of starvation. In Savage Continent, Keith Lowe describes a continent still racked by violence, where large sections of the population had yet to accept that the war was over. Individuals, communities and sometimes whole nations sought vengeance for the wrongs that had been done to them during the war. Germans and collaborators everywhere were rounded up, tormented and summarily executed. Concentration camps were reopened and filled with new victims who were tortured and starved. Violent anti-Semitism was reborn, sparking murders and new pogroms across Europe. Massacres were an integral part of the chaos and in some places – particularly Greece, Yugoslavia and Poland, as well as parts of Italy and France – they led to brutal civil wars. In some of the greatest acts of ethnic cleansing the world has ever seen, tens of millions were expelled from their ancestral homelands, often with the implicit blessing of the Allied authorities. Savage Continent is the story of post WWII Europe, in all its ugly detail, from the end of the war right up until the establishment of an uneasy stability across Europe towards the end of the 1940s. Based principally on primary sources from a dozen countries, Savage Continent is a frightening and thrilling chronicle of a world gone mad, the standard history of post WWII Europe for years to come.

Films Of The New French Extremity

Autor: Alexandra West
Publisher: McFarland
ISBN: 1476663483
File Size: 33,90 MB
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The films of the New French Extremity have been reviled by critics but adored by fans and filmmakers. Known for graphically brutal depictions of sex and violence, the subgenre emerged from the French art-house scene in the late 1990s and became a cult phenomenon, eventually merging into the horror genre where it became associated with American torture porn. Decidedly French in flavor, the films seek to reveal the dark side of French society. This book provides an in-depth study of New French Extremity, focusing on such films as Trouble Every Day (2001), Irreversible (2002), Twentynine Palms (2003), High Tension (2003) and Martyrs (2008). The author explores the social implications of cinematic cruelty presented not as "violent films" but as "films about violence."

Communication And Emotion

Autor: Jennings Bryant
Publisher: Routledge
ISBN: 1135641358
File Size: 57,61 MB
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This collection serves two important functions: it synthesizes theory and research in the vital and vibrant area of communication and emotion, and it highlights the scholarly work and contributions of Dolf Zillmann, the preeminent contributor to this area of inquiry. As one of the most productive and influential scholars in the annals of communication inquiry, Zillmann is well known for his contributions in the areas of communication, emotion, media effects, and aggression. Editors Jennings Bryant, David Roskos-Ewoldsen, and Joanne Cantor have collected groundbreaking essays from scholars active in the field, all of whom studied under or worked with Zillmann during his exemplary career. The contributions included here acknowledge the significance of Zillmann's work and identify many of the intellectual streams that contributed to his scholarship. Utilizing both psychology and communication perspectives, this volume covers the current literature in communication and emotion, with a focus on key theories, media effects, and entertainment theory. As a comprehensive synthesis of theory and research in communication and emotion, it will be of great interest to scholars in communication theory, cognitive and social psychology, and psychophysiology. With a concluding state-of-the-art chapter by Dolf Zillmann himself, this volume offers a thorough and distinctive examination of communication and emotion scholarship, and it will serve as an invaluable resource for current and future generations of scholars.

Year S Best Hardcore Horror

Autor: Scott Smith
Publisher:
ISBN: 9781936964048
File Size: 78,55 MB
Format: PDF
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Comet Press is extremely proud to present its third annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2017 that breaks boundaries and trashes taboos. It was a killer year for horror fiction of the harder kind. Authors, editors and publishers presented readers with some startling works of horrific imagination, stories graphic in the extreme yet with subtleties suggesting larger meanings, tales that explore humanity by plumbing depths of soulless inhumanity and, in some cases, outright depravity. The stories here represent the best of them, disturbing tales that dig deep and take you into the dark heart of horror itself, unrelenting and unapologetic. "So Sings The Siren" by Annie Neugebauer takes us onto a Dark Fantasy stage for a one-night-only performance of mythological torture. Then Ryan Harding's "Junk" gets right to the hardcore stuff with the ultimate dick-pic horror tale. Robert Levy's "The Cenacle" is a literary cemetery feast you may have a hard time stomaching (Tums won't save you). Nathan Ballingrud's "The Maw" treads surefootedly on Sci-Fi ground, right up to the edge of the Maw itself in a tale of stunning originality. Luciano Marano made his first pro sell when he sold "Burnt" to DOA III, certainly one of the year's best anthologies, and the tale has it own fiery fetishistic twist. "The Better Part of Drowning" by Octavia Cade treads waters of both science fiction and fantasy but it's pure horror at its biting depths. Tim Waggoner's "Til Death" is Lovecraftian Post-Apocalypse horror at its absolute best. "Letter From Hell" comes with that special delivery you only get from Matt Shaw. Dani Brown gets down and very dirty in her "Theatrum Mortuum," which may be the most extreme thing you read all year. Glenn Gray's "Break" is a hard-to-take anatomy lesson given to a man weary of doing hard time. In "Bernadette" Ramiro Perez de Pereda gets medieval in his tale of a djinn summoned by a desperate priest. Brian Hodge takes you on a trip to Mexico you will never forget in "West of Matamoros, North of Hell." This story is a masterpiece of suspense, a grueling experience that may well leave you exhausted by the end. You might even feel like a vacation afterward, but we're betting it won't be to Matamoros. Bracken MacLeod's "Reprising Her Role" takes us behind the scenes of a porno snuff film for a gut-wrenching reprisal and unexpected bonus footage. A real-life death threat inspired Doug Ford's "The Watcher" and we think it shows. "Scratching From The Outer Darkness" showcases Tim Curran's descriptive prowess and gives you a tale of hardcore Cthulhu Mythos. Brace yourself when Adam Howe's "Foreign Bodies" takes you deep into the bowels of a nasty abyss-which might make a good echo chamber for the laughter Adam's patented black humor is likely to elicit. Sean Patrick Hazlett introduces us to "Adramelech," an ancient demon with a taste for broiled children. Daniel Marc Chant's "ULTRA" jacks into a popular VR game called Slut Slayer. But what if it's more than a game? Nathan Robinson takes us into the trees with a group of militant environmentalists who will discover a tree hugger of the deadly sort, entirely alien to their experience. Scott Smith (A Simple Plan and The Ruins) wraps up this year's fat package of the hard stuff in a big bloody bow with "The Dogs." The canines in this tale are not Man's Best Friend variety, nor are they Woman's Besties, as you will see. Thanks for coming along into this year's heart of hardcore darkness. We hope to see you on the other side.

The Aftermath The Joneses 2

Autor: Shelia M. Goss
Publisher: Simon and Schuster
ISBN: 1593096208
File Size: 79,31 MB
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With their family under public scrutiny, siblings Charity, Hope and Lovie try to figure out who murdered a former family friend while matriarch Lexi realizes that “status” isn't as important as she thought in this sequel to The Joneses. Original.

To Bear Any Burden

Autor: Al Santoli
Publisher: Indiana University Press
ISBN: 9780253335432
File Size: 69,88 MB
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"ÂTo Bear Any Burden is necessary to understand the most significant aspect of the Indochina wars: the human one." —Tran Van Dinh, author of Blue Dragon White Tiger: A Tet Story "At least this reader would like to spend hours if not days talking to each of the people within these pages." —Jack Reynolds, Network Correspondent, NBC "... remarkable insight into the human aspect of the war." —Library Journal The 48 American and Asian veterans, refugees, and officials who speak in this book come from widely divergent backgrounds. In their narratives we hear them reliving crucial moments in the preparation, execution, and aftermath of war. It is a riveting, eyewitness account of the war and also reclaims from this tragic continuum larger patterns of courage and dedication.

Sick B Stards

Autor: Matt Shaw
Publisher: CreateSpace
ISBN: 9781499772852
File Size: 68,33 MB
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If the bombs dropped... If life as we know it stopped... If everything went to Hell... How far would you go to survive? WARNING: THIS IS AN EXTREME HORROR NOVEL. There is gore. There is bad language. There are scenes of a sexual nature. But hidden underneath it all is also a chilling story. Please do not purchase this book if you are easily shocked, disgusted or offended. This book is not for you. A family will do anything to survive after a nuclear attack has left their world in ruins. Actions which even surprise them...

Post 9 11 Horror In American Cinema

Autor: Kevin J. Wetmore, Jr.
Publisher: Bloomsbury Publishing USA
ISBN: 144111047X
File Size: 19,35 MB
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The horror film is meant to end in hope: Regan McNeil can be exorcized. A hydrophobic Roy Scheider can blow up a shark. Buffy can and will slay vampires. Heroic human qualities like love, bravery, resourcefulness, and intelligence will eventually defeat the monster. But, after the 9/11, American horror became much more bleak, with many films ending with the deaths of the entire main cast. Post-9/11 Horror in American Cinema illustrates how contemporary horror films explore visceral and emotional reactions to the attacks and how they underpin audiences' ongoing fears about their safety. It examines how scary movies have changed as a result of 9/11 and, conversely, how horror films construct and give meaning to the event in a way that other genres do not. Considering films such as Quarantine, Cloverfield, Hostel and the Saw series, Wetmore examines the transformations in horror cinema since 9/11 and considers not merely how the tropes have changed, but how our understanding of horror itself has changed.