This Bridge Called My Back Fourth Edition

Autor: Cherríe Moraga
Publisher: SUNY Press
ISBN: 1438454384
File Size: 65,49 MB
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Updated and expanded edition of the foundational text of women of color feminism. Originally released in 1981, This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.” Reissued here, nearly thirty-five years after its inception, the fourth edition contains an extensive new introduction by Moraga, along with a previously unpublished statement by Gloria Anzaldúa. The new edition also includes visual artists whose work was produced during the same period as Bridge, including Betye Saar, Ana Mendieta, and Yolanda López, as well as current contributor biographies. Bridge continues to reflect an evolving definition of feminism, one that can effectively adapt to, and help inform an understanding of the changing economic and social conditions of women of color in the United States and throughout the world. “Immense is my admiration for the ongoing dialogue and discourse on feminism, Indigenous feminism, the defining discussions in women of color movements and the broader movement. I have loved this book for thirty years, and am so pleased we have returned with our stories, words, and attributes to the growing and resilient movement.” — Winona LaDuke (Anishinaabe), Executive Director, Honor the Earth Praise for the Third Edition “This Bridge Called My Back … dispels all doubt about the power of a single text to radically transform the terrain of our theory and practice. Twenty years after its publication, we can now see how it helped to untether the production of knowledge from its disciplinary anchors—and not only in the field of women’s studies. This Bridge has allowed us to define the promise of research on race, gender, class and sexuality as profoundly linked to collaboration and coalition-building. And perhaps most important, it has offered us strategies for transformative political practice that are as valid today as they were two decades ago.” — Angela Davis, University of California, Santa Cruz “This Bridge Called My Back … has served as a significant rallying call for women of color for a generation, and this new edition keeps that call alive at a time when divisions prove ever more stubborn and dangerous. A much-cited text, its influence has been visible and broad both in academia and among activists. We owe much of the sound of our present voices to the brave scholars and feminists whose ideas and ideals crowd its pages.” — Shirley Geok-lin Lim, University of California, Santa Barbara “This book is a manifesto—the 1981 declaration of a new politics ‘US Third World Feminism.’ No great de-colonial writer, from Fanon, Shaarawi, Blackhawk, or Sartre, to Mountain Wolf Woman, de Beauvoir, Saussure, or Newton could have alone proclaimed this ‘politic born of necessity.’ This politic denies no truths: its luminosities drive into and through our bodies. Writers and readers alike become shape-shifters, are invited to enter the shaman/witness state, to invoke power differently. ‘US Third World Feminism’ requires a re-peopling: the creation of planetary citizen-warriors. This book is a guide that directs citizenry shadowed in hate, terror, suffering, disconnection, and pain toward the light of social justice, gender and erotic liberation, peace, and revolutionary love. This Bridge … transits our dreams, and brings them to the real.” — Chela Sandoval, University of California, Santa Barbara

Unsere Verabredung Mit Dem Leben

Autor: Thich Nhat Hanh
Publisher: Knaur MensSana eBook
ISBN: 3426407558
File Size: 13,19 MB
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Da wir nicht getrennt von der Welt leben und die Welt nicht getrennt von uns existiert, geschieht echte Friedensarbeit im Herzen der Menschen, an jedem Ort und in jedem Augenblick. Denn erst eine friedfertige innere Haltung bereitet den Weg zu einem friedlichen Miteinander. Unsere Verabredung mit dem Leben von Thich Nhat Hanh: im eBook erhältlich!

Die Zeit Der Schmetterlinge

Autor: Julia Alvarez
Publisher: Piper Edition
ISBN: 3492977243
File Size: 31,93 MB
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»Ich sammelte alles Material über die ebenso tapferen wie schönen Frauen. Mich ließ die Frage nicht los: Woher hatten sie diesen ungewöhnlichen Mut genommen?« Schön, klug und mutig sind die Widerstandskämpferinnen Minerva, Patria, Maria Teresa und Dedé Mirabal. Die vier Schwestern, genannt »die Schmetterlinge« wurden hinterrücks von den Schergen Trujillo, des Diktators der Dominikanischen Republik ermordet. Nur Dedé kam davon. Julia Alvarez zeichnet die außergewöhnlichen Lebensgeschichten der vier Schwestern nach. Jede kommt selbst zu Wort und schildert aus ihrer Sicht ihre Kindheit, ihre erste Liebe, ihre Familie und schließlich das politische Erwachen und den Mut den Diktator Trujillo zu bekämpfen.

Sexus Und Herrschaft

Autor: Kate Millett
Publisher: Kiepenheuer & Witsch
ISBN: 3462411209
File Size: 46,16 MB
Format: PDF
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»Sexus und Herrschaft« ist Kate Milletts erstes Buch. Es erschien 1969 und machte die Autorin über Nacht berühmt. Übersetzungen in zahlreiche Sprachen folgten. Kate Millett stellt in ihrem Buch die These auf, daß Sexualität ein politisches Instrument ist und der Koitus, die scheinbar intimste Beziehung zwischen den Geschlechtern, dem Patriarchat zur Unterdrückung und Demütigung der Frau dient. Als Beleg für ihre These analysiert sie die Werke von Autoren wie D. H. Lawrence, Henry Miller, Norman Mailer, Jean Genet. Das Buch gehört seit seinem Erscheinen zu den Standardwerken der Frauenbewegung.

Women Artists

Autor: Uta Grosenick
Publisher:
ISBN: 9783822841198
File Size: 26,45 MB
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Zum 25jährigen Bestehen von TASCHEN gibt es ein Reihe ausgewählter Klassiker zum Jubiläumspreis.

Kuratieren Als Antirassistische Praxis

Autor: Natalie Bayer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110543656
File Size: 47,18 MB
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Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze soll Kuratieren als antirassistische Praxis denkbar machen. Orientiert auf Handlungsmacht und auf die Schnittstellen zwischen sozialen Konfliktfeldern und kuratorischen Praxen, nehmen die Autoren das Verhältnis von Kämpfen für und gegen die Repräsentation von spezifischen Themen in den Blick. In diesem Sinne stehen Strategien des Talking Back ebenso im Fokus wie Kontaktzonen und Ansätze der Wiederaneignung.

Forms Of Dictatorship

Autor: Jennifer Harford Vargas
Publisher: Oxford University Press
ISBN: 0190642874
File Size: 66,48 MB
Format: PDF
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An intra-ethnic study of Latina/o fiction written in the United States from the early 1990s to the present, Forms of Dictatorship examines novels that depict the historical reality of dictatorship and exploit dictatorship as a literary trope. This literature constitutes a new sub-genre of Latina/o fiction, which the author calls the Latina/o dictatorship novel. The book illuminates Latina/os' central contributions to the literary history of the dictatorship novel by analyzing how Latina/o writers with national origin roots in the Caribbean, Mexico, and Central and South America imaginatively represent authoritarianism. The novels collectively generate what Harford Vargas terms a "Latina/o counter-dictatorial imaginary" that positions authoritarianism on a continuum of domination alongside imperialism, white supremacy, heteropatriarchy, neoliberalism, and border militarization. Focusing on novels by writers such as Junot D?az, H?ctor Tobar, Cristina Garc?a, Salvador Plascencia, and Francisco Goldman, the book reveals how Latina/o dictatorship novels foreground more ubiquitous modes of oppression to indict Latin American dictatorships, U.S. imperialism, and structural discrimination in the U.S., as well as repressive hierarchies of power in general. Harford Vargas simultaneously utilizes formalist analysis to investigate how Latina/o writers mobilize the genre of the novel and formal techniques such as footnotes, focalization, emplotment, and metafiction to depict dictatorial structures and relations. In building on narrative theories of character, plot, temporality, and perspective, Harford Vargas explores how the Latina/o dictatorship novel stages power dynamics. Forms of Dictatorship thus queries the relationship between different forms of power and the power of narrative form --- that is, between various instantiations of repressive power structures and the ways in which different narrative structures can reproduce and resist repressive power.